DJ Sabrina The Teenage DJ London, UK
Sabrina Spellman was mixing dope beats in the other realm, which she recorded onto her inherited heirloom tape machine, made with her carboot-sale drum machines and charity-shop synthesizers, and decided to import them into her eMac. She was pleased with how they sounded, and used Bias Peak to bring them in-line with ITU BS.1770 standards. ... more
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To See the Next Part of the Dream
by Parannoul
supported by 12 fans who also own “Anything Lost (Can Be Found Again)”
Takes me back to my high school classroom during the days of binging Inio Asano's old manga scanlations before anything was licensed. At that time, I was discovering many kinds of Asian shoegaze, but I've never heard anything like this. Makes me think of Pasteboard, Supecar, and Midnight Pingpong a bit, and it's funny bc the first two I listen have blue album covers too.
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supported by 11 fans who also own “Anything Lost (Can Be Found Again)”
this track at the end connects so well in the sense that an album should be a cohesive thing. Well done Georgie pie.
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supported by 10 fans who also own “Anything Lost (Can Be Found Again)”
a.g. cook's debut is unlike anything else, perhaps the single most ambitious project i've ever listened to.
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a couple of good days
by Fennec
Tropical escapism meets irony: Austin producer unites Detroit house, Memphis rap, and bossa nova under the banner of "landlocked exotica."
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Hypnotic songs from this Cameroon-based musician, with vibrant rhythms and dazzling synths in songs that keep pushing forward.
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A Guide to Social Remixing
by Leg Puppy 2.0
Synth-driven tracks that swing from pensive to propulsive, this remix record from Leg Puppy is deliciously dystopic.
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supported by 9 fans who also own “Anything Lost (Can Be Found Again)”
this feels important
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